
He’s made a name for himself with music that blends classical orchestral with electronica, as can be heard in previous offerings like Music In Chronological Order, and his last album Scandinavian Folklore, which is a gorgeous blend of traditional instrumentation and synths. Stylistically his work is reminiscent of movie/trailer music specialists Two Steps from Hell.
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Norse Mythology is where Glen turns his focus to Norse myth and legend, giving us an album full of sweeping, epic numbers that would fit perfectly into any number of fantasy based TV series or games. Frankly you could replace the soundtrack to Skyrim with tracks from this album and they would fit perfectly.
Tracks 4 and 5 – ‘Ginnunagap The Yawning Void Pts 1 & 2’ – is the primordial void spoken of in the ‘Gylfaginning, the Eddaic text which records Norse cosmogony (the theory of how the universe came to be). A more wistful, etheral tone is found in part 1, while the second part is more strident and demanding. Track 6 is ‘Audhumla Mother Cow’, and in myth, the frost giant Ymir fed from her milk, and over the course of three days she licked away the salty rime rocks from a glacier in Niflheim to reveal Búri, the grandfather of the gods, along with Odin, Vili and Vé. Here she’s represented through violins to begin with, rising to a triumphant crescendo at the end of the track as, presumably, the Norse Gods are revealed to the world for the first time.
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While each track is accompanied by a specific piece of lore or story, it’s not something that particularly comes across while listening to the album in isolation, but reading the backstory to them does add a whole new dimension to the music, helping give a context that a listener can fix on, and it truly brings the whole album to life. For fans of Norse mythology there’s a whole lot to like here, and frankly any fan of fantasy-styled music will have a great time as well. A simply lovely album from beginning to end.
Norse Mythology is out on 19th November from Audio Network.

